Musings and autobiographically informed commentary on the human condition through the lens of the Kannon-gyo -- chapter 25 of the Lotus Sutra -- connecting Zen and Pure Land Buddhism through the practice of venerating and chanting the names of buddhas and bodhisattvas.

The Kannon-gyo is chapter 25 of the Lotus Sutra, and its focus is the bodhisattva of compassion, Avalokiteshvara, known in China as Guanyin, and in Japan as Kannon or Kanzeon. The text describes the many ways in which calling out the bodhisattva's name -- Namu Kanzeon Bosatsu -- can relieve suffering.

Most schools of Zen Buddhism, and especially the Soto school, eschew such practices as chanting the names of buddhas and bodhisattvas, along with venerating such figures.

The eminent Soto Zen master Kosho Uchiyama Roshi, however, while doing hard physical labor early in his career, could not practice zazen -- that is, formal sitting meditation. He came to appreciate the Kannon-gyo and the practices related to it. In particular, he took to reciting Kannon's name, as recommended in the text of the Kannon-gyo.

Later in life, Uchiyama Roshi suffered from illness that again prevented him from practicing formal Zen, so he returned to the Kannon-gyo and the practice of chanting. He went so far as to assert that chanting Kannon's name is completely equivalent to zazen, that the two practices are simply two sides of the same coin -- a revolutionary idea seemingly at odds with Zen.

Chanting practice is especially accessible, as it can be done while working, traveling, or suffering from illness, and other activities that would ordinarily get in the way of formal Zen practice.

With these practices, the Kannon-gyo, and Kannon herself as a backdrop, Uchiyama Roshi muses about the purposes of religion, the goals of religious practice, and the meaning of enlightenment -- and their relation to suffering itself.

The Sound That Perceives the World: Calling Out to the Bodhisattva, Kosho Uchiyama, Wisdom Publications, Paperback, 272 pages, $29.95

Kosho Uchiyama was born in Tokyo in 1912. He received a master's degree in Western philosophy at Waseda University in 1937 and became a Zen priest three years later under Kodo Sawaki Roshi. Upon Sawaki's death in 1965, he became abbot of Antaiji, a temple and monastery then located on the outskirts of Kyoto. Uchiyama Roshi developed the practice at Antaiji and occasionally traveled in Japan, lecturing and leading sesshins. The three pillars of his practice were his writings, his time spent guiding and talking with disciples and visitors, and zazen, the sitting practice itself. He retired from Antaiji in 1975 and lived with his wife at Noke-in, a small temple outside Kyoto, where he continued to write, publish, and meet with the many people who found their way to his door, until his death in 1998. He wrote over twenty books on Zen, including translations of Dogen Zenji in modern Japanese with commentaries, a few of which are available in English, as are various shorter essays. He was an origami master as well as a Zen master and published several books on origami.

Howard Lazzarini (translator) holds a degree in Japanese Language and Literature from the University of California at Berkeley. He spent 12 years in Japan and for several years during that time, in the early 1970s, practiced Soto Zen at Antaiji, a small temple that was located in the north Takagamine section of Kyoto. There he met his first teacher, Kosho Uchiyama Roshi and sat in the shikantaza style of Uchiyama Roshi and Dogen. After returning to the US he began studying with Shohaku Okumura Roshi of Sanshin Zen Community in Bloomington, Indiana, where he took lay ordination. He translated The Sound that Perceives the World in close collaboration with Okumura Roshi and Shoko Hayashi Lazzarini, his wife. He currently lives in Everett, Washington, and practices with the Everett Zazen Group located in Everett.